February 6, 2012 Dive into the Daily Routines of Chase N Cashe as he performs at the Gramercy Theater During CMJ, Visits Source Magazine, and Speaks on Events. Featuring Troy Ave and A$AP
June 10, 2011 "Directed, Edited and Shot entirely by Nesby Phips
Nesby Phips "Chemtrails" feat. Trademark Da Skydiver (Supervillian)
CREATIVE CONTROL
Based on the chemtrail conspiracy theory. The theory claims that trails left by government aircrafts contain chemical or biological agents targeting communities where higher-ups seek to influence population and climate control, violence stimulation, respiratory disease, and other health problems."
WWW.NESBYPHIPS.COM
February 22, 2011 Via
February 18, 2011 February 10, 2011 Soundbombin' By MUSCLE CAR CHRONICLES from Creative Control on Vimeo.
"SOUNDBOMBIN' A preview of Curren$y's upcoming album Muscle Car Chronicles. In Stores March 15, 2011."
February 8, 2011 "This is my 1st Official Single of my 4th studio Album "Mz Walker" .Produced by Skibeatz coming out on Bluroc Records
Follow us on Twittter @therealmzwalker @skibeatz .Enjoy! xxx"
Creative Control, Terri Walker, bluroc, dam dash, ek, ski beatz in album, music, video February 7, 2011 "Greedmont TV presents a one-part video interview with independent multimedia mogul, Dame Dash [Founder/CEO of DD172]. We had a chance to sit down and chat with Dame about his long and fruitful career as well as some of the upcoming projects he is working on like the movie, "Muscle Car Chronicles" starring Curren$y and McKenzie Eddy."
[Shot by Corey Davis]
January 6, 2011 " Everyone has been asking me when my 4th studio Album is dropping and when they can hear it. So to prevent repetition of "Its Coming!" ,I've decided to provide you all and anyone that is interested with Snippets.
It's not mixed or mastered yet but I trust you get the idea!:-)
I'm excited and love my album as it is a true representation of me at this very moment in my life.
I hope you enjoy it as much as I do!
This is for all the music lovers out there!!Love ya'll!!
Follow me on Twiiter @therealmzwalker so you can keep up with what I'm doing.My Facebook is on my Twitter page. Last but not least check out my blog theterriwalker.blogspot.com
Mwah!
TW.xxx "
FOLLOW @TheRealMzWalker
December 8, 2010 
"Curren$y’s new disc Pilot Talk II also debuted on the chart this week. The set moved about 18,400 copies in its first go-round, beating out the ATLien."
December 3, 2010 Creative Control, DD172, JETS INTERNATIONAL APPAREL, bluroc, curren$y, dame dash, jet life, jets international, jetsfool, roddy, ski beatz, the dojo in album, artwork, canada, college radio, creative, download, event, interview, knowledge, mixtape, music, performing, picture, producer, radio, review, video November 23, 2010 
Produced by: Ski Beatz & The Senseis
Curren$y: “Ski did a crazy beat and I fuckin’ rapped about a bunch of shit. At the end I named it that. I mean, the song isn’t about a flying aquarium, you know?”
Ski Beatz: “It was me, Curren$y, and Little Stevie—Steven Baker, that’s Dame’s nephew. I was going through samples trying to find something ill. And Little Stevie heard this sound and was like, ’Yo, that’s dope!’ And Curren$y was like, ’Yeah, that sounds like some Sea World shit. Like some dolphin music.’ So we chopped it up and the [my house band] The Senseis came in and played on top of it. Curren$y dropped those lyrics in and it was a match made in heaven.
“Sometimes I’m searching for tracks, and he might hear something, and he’ll say, ’I like that sound.’ Then I’ll try to make a beat out of it. But most of the time, I’ll just make a beat that I think that he’ll rhyme on and say, ’Yo, I got a track. Check it out.’ And he’ll come down and listen to it and say, ’Okay, that’s dope.’ Then he’ll start writing. But I have no idea how he titles his songs.”
Produced by: Ski Beatz & The Senseis
Ski Beatz: “Brady Watt came up with an incredible bassline, killed it. He came up with this sample from...I don’t know where that shit came from, but nobody will ever know. [Instead of digging in the crates] I got digital crates now. [Laughs.] I got probably like 80 gigs [worth of music]. I find music, get ideas, but I’m not sampling just for the sake of the beat. I’m sampling to get ideas, so I can bring it back to The Senseis, and they can hear it, and put their spin on it. That’s the sound that we created right there. And like Dame would say, it takes me out of my comfort zone. I’m used to sampling, and putting it out as a sample. But to be able to just take a sample and do your thing with it, and have dope musicians come in, and they look at it from their perspective, it just turns in to a whole different thing. It’s definitely a new challenge for me. But I’ve got help. I’ve got the band, The Senseis.
“[So for this song] we went through the drums [with The Senseis], Curren$y heard it, and that’s his favorite beat on the album. The hook is a lyric from a Dom Kennedy record. He quoted his lyrics for the hook and turned that into the chorus. I guess told Dom like, ’Yo man, I used one of your verses for a hook. You need to get on this shit.’”
Dom Kennedy: “Curren$y is one of them dudes I run into damn near every place I go. I had a show in New Orleans last summer, and he had came out. He wasn't performing, but he came through, and then we went out. Then we had a show in Brooklyn, that's where that line ['Do a show out in Brooklyn when I just left The Easy'] came from. The first time we worked together was in Miami during Super Bowl weekend, for the Smokee Robinson mixtape. We had a show, then after that we went to the studio to record. We'll probably knock something out for my next project. Any time I send him something, I know he got me.
“Working with Spitta is pretty simple: He knows what he wants to do and he don't take a long time to do it. I've been in the studio with him to do some other shit, so I know how he works. I just tried to approach it rhyming-wise how he would and just let it flow. He's one of the people that does the laid-back flow, storytelling type of thing—I do that too, but from a West Coast perspective.”
READ FULL INTERVIEW AT COMPLEX
